On the first day of the United Auto Workers strike, I spent the day in Toledo, Ohio, covering the story for The New York Times. For a good chunk of the day, one of my first images from the coverage was at the top of the outlet’s website.

In late September, I spent a couple of days in Holland, Michigan, for a Washington Post story focused on mistrust in the county and the impact this has had on the community.

Live theatre is magic—the environment is reshaped, people morph, and viewers travel to new locations and experiences through time and space. Photographing live theatre draws on my ability to anticipate and react in order to create evocative and storytelling imagery for my clients.

It was a privilege to photograph my grandmother over the holidays. We kept things pretty simple with just one off-camera flash, but we were able to create a few different looks in her apartment.

A few images from a silent disco were a part of Notre Dame’s annual Year in Pictures photo gallery.

Two years after Jerome Adams, the former surgeon general, left office, he and his wife, Lacey, are still experiencing what they have named the “Trump Effect.”

In the lead-up to and during the 2022 midterm elections, I went on assignment to cover political stories in West Michigan for The Washington Post. This post showcases the spectrum of imagery from the handful of assignments and thoughts on the experience.